Musically the tango can be considered a relative dell'habanera Cuban son and therefore the merchant bustle between the ports of Spanish dell'Havana and Buenos Aires. Initially it was interpreted by groups that have only flute, violin and guitar (when there was no chance we were using the removal of a comb that is transformed into a wind instrument, using a map from tobacco and a "blower "Expert). The mythical "bandoneòn" arrived later, in 1900 or so, with immigrants Germans, taking little by little the place of the flute.

]]> In this first tangos were anonymous, the tango was rather a way of interpreting existing melodies, and the first composers did not know neither read nor write music. In 1917 came the tango song with Carlos Gardel who was the king until his death in 1935. The 40s were the decade instead of large orchestras (those were fundamental Anibal Troilo, Osvaldo Pugliese, among others). Among the anni'60 and'80, if we recognize that Astor Piazzolla is a whole chapter in its history of this kind are difficult years for the tango-song, now fully overcome thanks to the new youth orchestras (Color Tango Orchestra el 'Orquesta Típica Fernandez Fierro) and all'interessante phenomenon of fusion of tango with jazz, rock formations el'elettronica submitted by Bajofondo Tango Club, Tanghetto and Gotan Project. Porteño or universal, tango-dancing or poetry of Buenos Aires, the tango is survived all kinds of crisis and the level of sophistication achieved at both dance music as clearly demonstrates the maturity of this event which has now reached the dawn of His second century of life.